Showing posts with label inspirational. Show all posts
Showing posts with label inspirational. Show all posts

Sunday, 27 March 2016

The Weight of Unforgivingness

This is another short story from my writing hobby, two years ago. It came to mind the other day when a friend of mine was surprised that I do not "hate" anyone. At most I find some people uneasy or inconvenient, but not enough to wish something terrible on them. This story pretty much sums up why.

And of course this is one of the better pieces. Otherwise I would not dare show it eh.

The Weight of Unforgivingness

I died yesterday morning, at 3:00am.
My parents found my body at 7:00am.
My funeral was held the next day, at 6:00pm.
I’m not dead.
At least I don’t think I am.

It suddenly grows bright in the coffin and my body burns alight, although I don’t feel it. I peel myself away from my grey flesh and swim through the furnace. Crying with bowed heads are my family, best friends, and closest teachers, all cladded in black. I can imagine that if I were still alive, their concern for me will certainly melt my core. Mother sobs uncontrollably into father’s arms while my grandmother only manages the slightest sniffle. My melting pot of love goes sour. Why, is a grandchild not significant? I knew it all along.

My grandmother was (and still is, last time I knew) a grumpy person. She would throw fits, make a mess, and argue about everything. In her good moods, she babbled TV commentary, lectured the obvious, and ventured to tinker with the house. My obedient mother slaves away, cleaning after my grandmother and receiving her complaints. The broken peace in the house often ruined my days: slurps of porridge, airs of breath, trails of footprints, talks of marriage (seriously, at sixteen?), accusations of theft, wafts of urine, toilets of..  my mother took her out of the elder’s home because her memory became occasional so she could not take care of herself. I endured my days by simply avoiding her.

Why, I had already died but not quite left this life. I watch the funeral come to an end and follow my family back home. My exhausted mother helps my grandmother off the car, still lifting by the arm as they ascend the doorstep. The expression and movement of her mouth suggests that she is bellowing the usual lines to get my grandmother into the shower. While the water runs upstairs, my parents huddle together on the sofa.

While awaiting the fate of my partial existence, I explored this omnisciency. I zipped around the neighbourhood, poking my head through the walls. It was amusing at first, but the excitement drained out at the thought of doing this forever. I trail back home to my bedroom and lie on my bed as I always did. For a moment it seems just as before, except that I don’t hear or touch, and that everything is in greyscale. And that there is no one else to interact with. If I am truly dead, where are all the other dead people?

I check on my parents to find that they have successfully fallen asleep. Then I explore a room I have never been to before. I never went near the room because it stank. To give you an idea, the whole corridor smelled. Inside, heaps of clothes are littered around. A collection of outdoor finds are scattered on the desk. My grandmother lies in bed with slack jaws. By the bed is a framed picture.

The girl in the picture looks very much like my mother, but a couple years younger. She is with a man who is not my father. She wears a frilly puff-sleeved dress, the kind my mother would never wear. She has silky hair, long eyelashes, and a smooth complexion. She curls up shyly with the man’s arm around her slender waist. It did not occur to me that my grandmother could have been this pretty, timid girl in her young days. I wonder about the woman who raised my mother, the one who loved her child so much that she cultivated absolute obedience. This is the woman who my mother would clean up after and take complaints from. It is not my grandmother’s fault, for if my mother grew old she will be in the same place, and me too if I had not died.

A couple months later, the town regains its momentum. With lighter spirits, I visit the school I used to go to. I am not sure if I should say that in past tense, for I am going there now. It seems like everyone has moved on. I take a vacant chair and observe my friends in class. Their mouths form words I long to hear. I see that sometimes they do mention my name. It pleases me to know that they still think of me, but for how much longer? Someone else has taken my place in the second row. Will my legacy in the usual five of us be merged with the newcomer? It worries me that my identity might slowly fuse with my substitute.

Everyone packs up simultaneously, except for my four friends who were watching the time closely and had already collected their items. They dash out of the classroom and I pursue. It must be a Wednesday, for my best friend splits up from the rest and heads for the student council meeting room. At the turn of the corridor, we bump straight into the school bully. Turn back, I long to say. But my best friend does not believe in stepping down. The bully grips my friend by the collar and by the looks of it, threatens with barely moving lips. The bully’s clutch grows tighter with my friend’s hesitation. Let go, you slimy blotch of lard! My friend nods reluctantly and hands over a hundred baht. The bully pockets the money, slams my friend against the wall, and leaves. Now I am no longer there to be picked on, my best friend has become my substitute.

At the end of the day, my friends scuttle away before the bully can catch up. At the gate, my friends all go their separate ways, and I pause to decide who to follow. Just then I catch sight of the bully. Now is a very convenient time for stalking.

The bully plods home, hands in pockets, face a droop. Then I had to pick up my pace to catch up. A man behind us closes in, but then falls away from our speed. Halfway down the path, the bully sprints. At the turn of the alley, we bump straight into another shady man. Tears and panic fills the bully’s eyes. The men are surrounding. One grips the bully, who immediately hands over ten thousand baht. I gape at the sum. But it is not enough for them. They threaten and punish.

On the way home, more bruises appear. A ripped sleeve flutters. Instead of shrinking with fright, the bully puffs with anger. The father is not pleased with the lost fight, and demonstrates a couple beatings. I had always been told to stand against bullies, but it did not occur to me that they are victims too. Born to a world where strength comes from dominance, it is difficult to treat anyone as an equal. It is a life of beat or be beaten. I don’t forget how inferior the bully made me feel, but now I feel differently about it. It is not the bully’s fault, for if I must choose between beat and beaten, I would probably choose beat as well.

It gets frighteningly lonely without interaction of any sorts. For years I wandered, lost in this continuing world. I yearn to take part and exchange words. What weighs most in my heart is the fact that there are so many experiences left I didn’t get to live. To drive, go to university, make my own decisions, to love...

I had a chance in a relationship, but I never got close enough. We got along very well, understood each other, and had closely bound paths. I could tell we were more than friends, and everyone knew it. My parents always told me to wait a little longer so that I may be a little wiser, so I did. When I become of age will be when I confess, I decided. But that was not to be. We drifted apart as I was gradually replaced. Back then when I had to tears to shed, it came in streams. Once it goes it doesn’t come back.

It hurt me so much, both the stealth and the betrayal. But I still long for my love, literally a lost soul longing for a living human. It took me years to pour through every dwelling on earth but I found my darling in the arms of my enemy. Matching rings glint on their fingers.

This must be the deepest regret I have, the inhibition of my confession. If I had not waited to tell it, I am sure I can die in peace. While I stalk my love without the presence I long to have, the unthinkable happens. A car swerves madly and crashes head on. Liquid the colour of love sprinkles the road. A vehicle the colour of heaven takes away the vessel. Along with my surprise, I feel a secret joy. But my love doesn’t some to me in a ghostly form like mine. My love does not come at all. The vessel holds on tightly to life.

They no longer walk side by side as they no longer can. They no longer communicate freely as they no longer can. My love is deformed, inside and out, mentally and physically, stripped of all the former prime glories. My darling relies on a wheelchair, which the enemy of my adolescence pilots. My love’s partner does more than pushing a wheelchair. All the jobs, chores, medical routines are regulated by the one I despised so much. And it is all done with much love that does not require requital. It is not my rival’s fault for uniting with my love, for if I were in her place I would not know what to do, and this substitute is clearly the perfect one for my love.

At that very moment, a weight is lifted away from my heart. A warmth softens the dead cold. I glow and take off towards the skies. The white glow grows more intense as I gain elevation. Up here everything is clear. Everything is pure. I finally cross the threshold that kept me between life and the afterlife. He takes me into His arms and tells me:
“Well done, my child.”

Slick

Must have written this short story some two years ago. Maybe third person point of view would have worked better and the storyline could have been told clearer. Not really keen on the way it was written (oh it is dreadful) but the ideas are pretty neat. The fascination in stargazing shows too. Probably a story worth remastering.

Cannot quite remember what sparked this project, but the point was to write something spooky; it was meant for a little writing community (not sure what became of them, nor of this story). And I tried. To make it spooky.

Slick

So far everything had proceeded along my favours. Except that the motor had died out. No fears, I should be able to reach the other side of the channel by midday.

The northern stars twinkle brightly with encouragement. If it weren’t for the clear skies I may be lost and dead. But that is not to be, for I will reach land within the next twelve hours or so. I start to paddle.

Without the motor, I sense the expansive peace of the still sea. All is silent except for the current lapping around my lifeboat, my paddle scooping the waters, and my breath matching the rowing. Brimming with calmness, I recall the escape. It was a close call, but not close enough. Either they got me or they didn’t. Now they will never find me. The night’s dark cloak makes me feel safely obscure.

I redirect the boat northwards before sinking deeper into thought. Did I leave my identity uncovered? Is there anyone left who still knows me? Who was that person anyway, the one I kicked into the vat of tar. He sank, arms flailing, descending.. Hush! What is done is done, there is no turning back, no returning people from the dead. I redirect the boat again. I need to concentrate some more on rowing; my right arm is overpowering my left.

But even with the stone still current, I have to redirect the boat three, four, five times. Screw this rickety boat, some lousy carpenter did not get the symmetry right. Before I know it, the northern stars grew dimmer. Why, is it nearly dawn already? I’ll come to miss the gentle night breeze.

Instead of getting warmer, I get slightly chilly. I must have gained a significant latitude although I didn’t expect the climate to change so sharply. The clouds grow thicker, only allowing only the brightest of stars to shine through. I stop to think. Should I wait for sunrise to mark my east, or paddle on and risk veering off course?

While I think, the air gets warmer. Maybe I should just wait, the sun is rising soon. Over the next couple of minutes, the temperature gets fuzzy, cozy, humid, then stifling. How can it be stifling hot when the sun has not risen? I wait a little more but it seems like dawn is still a little ways to come, so I pick up my paddle.

I squint at the faint stars and realize that my boat is facing south. A chill creeps up my spine towards my neck. The opaque atmosphere turns on me. I don’t row but ominous ripples bounce off of my boat. My joints grow stiff as I realize
I am spinning.

Dark figures swishing around the circumference burst with laughter, revealing themselves on the vast, dim sea. I dig hard with my paddle but it is no use, the current is dragging me in. A multitude more of vengeful apparitions swirl the agitated sea, chilling my bones with their presence. Hopelessly slapping the liquid funnel, I revolve with the whirlpool. The thousands of those who I ended are here to end me. Water laps into my lifeboat, a boat that will not serve its purpose, and I breathe my last before submerging through the center of the vortex. The freezing water surprises me, causing precious air to bubble away. Arms flailing, I sink, descending rapidly. I kick the boat to bring myself closer the surface then struggle frantically towards sea level, progressing in slow motion. I believe I saw a star twinkle through the water, before a slick-slippery hand grips me by the ankle and yanks me down into the dark abyss, as dark as a vat of tar.

Thursday, 10 December 2015

Seismic Wave

Prerequisite: earth science

Car crashed about a month ago. "Crash" is an overstatement. "Bump" more like. Yet the impulse was enough to crush the little Toyota. It was a young car too, with a red number plate and not yet one week in possession.


The cracks are almost like the impact frozen in time. Most likely not many cracks are due to material foliation since glass is an amorphous solid. From what I heard, the car hood actually sprung up and smashed itself. Maybe the epicenter of the impact can be pinpointed with these rough circles, or that the effect of P and S waves are distinguishable?

What I am really driving at is that glass smashing might be something worth investigating. Not that I have the means of doing so. But where patterns are concerned, numbers can be introduced~

If you feel inspired to smash some glass, please feel free to do so. Be sure to tell me about it.

As of now we got the headlights repaired. But the spiderweb on the windshield is still there, held by tape.

Saturday, 14 November 2015

Cactus Chronicles

Prerequisite: none

This baby is coming home with me!


Wandered around Cicada Night Market, Hua Hin on a Friday night. Adopted this buddy for fifty baht. Barely half a pinky wide, with only a few white spots indicating where spikes will sprout. There were many bloomed cacti to choose from, but I am in for a surprise with this youngster.

The care is apparently very simple. Water once a week, to the point where water gushes out of the pot base. The cactus does not die abruptly but turns yellow or white first, so that there is time for saving. It needs some four hours of sunlight every day. I suppose a cactus can withstand drastic temperature changes as a desert's environment is such.

Great companion plant for lazy people like me. Go get one now~

Will update on a separate blog: Cactus Chronicles.

Saturday, 31 October 2015

Learning Languages

Prerequisite: none

My incentive for learning languages is not for conversation (me conversing with a stranger? What a joke!) but for the linguistics. For the sake of language itself. The way it is and its relation to other languages. As of now I know Chinese and English very well, and minimal Japanese, Dutch, Italian, Irish, Turkish, and maybe some Thai.

And also for curiosity. What is masculine or feminine noun? A gender or neuter noun? What are cases? When to use which cases? What is an agglutinative language? An eclipsis? A lenition? Go find out!

Duolingo

Great site to proceed at your own pace. What I like most about it is the convenience of definitions and audio. The interface design is very simple and there are many languages available. And why not, it is completely free. Completely free of additional purchases.

Readlang

The web browser feature similar to Google Translate but waaaaay better. You can read a page in foreign language and click on words you do not know for its definition. No need to flip the dictionary a billion times.

Invest in a language now~

Saturday, 19 September 2015

The Adventures of Pig and Stickman

Prerequisite: none

Back in grade seven I had this IT assignment where we had to make a "how to" presentation with Prezi, and I made a "how to draw" presentation. Then I discovered its potential for storytelling..

The Adventures of Pig and Stickman
The Adventures of Pig and Stickman (2)
Pig and Stickman Christmas (2010)
The Adventures of Pig and Stickman (3)
The Adventures of Pig and Stickman (4)

So adorkable, I know!

I guess it was pretty original for a twelve year old.. even if the storylines are somewhat random. The second episode was probably inspired by Save the Sheriff. The third has a Courage the Cowardly Dog feel to it.

It is easy to make something dorky. Everyone has an inner dork I am sure. Nothing can go wrong with a little dorkiness. Have a go at Prezi! I did the drawings with the highlighter tool, but there are probably more features to exploit by now.

And for some reason Pig and Stickman started killing each other three years later in Ham vs. Man. I did not notice until now..

Monday, 14 September 2015

Gee

Prerequisite: none

If you would like to know the Blue Giraffe a little more, here are some comics I did over the past couple months: https://drive.google.com/open?id=0B7EA2CwmDWk4d18zN3o3VU9oNlk

Check "details" for each PNG where I might have added a comment in the "description". Set list order to "last modified" to know whether I uploaded a new comic or not. There may be month gaps without activity but hey, I am a busy person~

There are a couple motivations for making these comics. One is to share amusing random thoughts. Not necessarily stomach splitting, but amusing. Another is to introduce my little Blue Giraffe world. It is not something that can be explained, but it can be shown. And lastly, to show that I do have a sense of humour. I am not particularly known among my peers for being playful. I should be able to say that even if my sense of humour is lame, at least I have one..

Just go read some. A picture is worth a thousand words.

Anyone can do a comic. It does not take great artistic skills (as demonstrated by Rage Comics). If you can find a reason why you might want to draw one, take a shot. Like video games, you are telling a story. So why not. Tell your story.

Sunday, 13 September 2015

Ham vs. Man

Prerequisite: none

I do not play video games.

Ha, kidding. Who does not? If someone claims such they are lying. If they are not lying then I have sincere pity.

I made this silly Scratch game a while back: Ham vs. Man.

Alice is a cool program too but the 3D is quite a hassle. And I rather like my corny 2D characters. The best thing is that these softwares do not have all that computer science jargon, which is convenient for recreation.

Here are some incomplete but potential games:

GigaPig (based on MegaMan)
Gee Nui (based on Voya Nui Online Game)

When the program does such absurdities you facepalm really hard. But then you acknowledge that it is correct in its logic. This is when you relate to the joke:


Parents abhor video games, and they have good reason to. Like other art forms, there can be degenerate or inappropriate works. But child corruption is not the only thing games can do. As a game maker you have the power to create something beautiful (perhaps not as silly as my Ham vs. Man). There is a lot of potential in video games. A clump of clay can only be as good as its potter, a violin as good as its player, a canvas as good as its painter, a book as good as its writer, a story as good as its teller..

Everyone should have a go at Scratch. It is as simple as game making can get. The making of the game is almost a game in itself. Even if it drives you crazy with its cold logic, at least you will come to appreciate the games you play. If you need encouragement to master the skill, refer to A Cringeworthy Process. Everyone starts from scratch (pun maybe intended).

By the way, Marc Broussard is awesome. Just saying.

Monday, 31 August 2015

Runescape

Prerequisite: none

Yup, I played Runescape back in 2006. My account has a combat level 90, total level 1220, and some 10 mil. gp in the bank. That is a lot of time spent (no life, hurhur). And moving away from childhood, there is simply not enough time. My commitment lies elsewhere. It has been almost ten years since I started, and some six years since I stopped playing regularly.

Occasionally I would skim the updates, and if something looks interesting I might log in. Sadly, I am not a child anymore and it takes much more to amuse me.

It sounds like the game is receiving lots of bashing recently. I think it is only a matter of growing up. Players have grown and grown out of the game, as a child would grow out children's clothes. Some things were great in childhood, such as Harry Potter. Heck, Harry Potter used to be the best thing evaaar. As a kid there was so much to marvel at. Then the novelty dies out. Only the nostalgia remains.



Will I still play it? No.
Is Runescape a lame game? No.
Did the enchantment wear off? Pretty much. Ya.

Having sacrificed so much time exploring a virtual world, what have I gained? Were my efforts wasted? Was the game worth it? Although I am not known for gaming, I know for a fact that many things had stayed with me.

1) Vocabulary

I boosted my vocabulary terrifically through playing Runescape, being a foreign English speaker. I know the ores from copper to gold (as well as the fictional ores). I know the fish from crayfish to swordfish. I know the trees from oak to yew. I know the folk from barbarian to knight. I know the creatures from goblin to dragon. What is mithril? What is a pike? Where are willows found? What does the apothecary do? What is the difference between a ghost and a revenant (besides that one is mightily stronger than the other)?

How else should I know everything from dagger to longsword, rapier to maul, mace to battleaxe, boots to vambraces? What is the difference between a platebody and a chainbody? A coif and a cowl? What is so distinct about the scimitar? Oh, scimitars..

Most players probably do not bother with the "examine" function, but I examined everything. The thistles on the grass. The ducklings in the river. The mushroom by a rock. The rock itself. I know the difference between a stalagmite and a stalactite. A fern and a shrub. Wheat and grain. I could go on forever..


Ya, the kind of thing I do..

2) Technology

Never will I forget that Cu (copper) and Sn (tin) make bronze. Ever. Or that Fe (iron) and carbon (coal) make steel. Or that alloys with higher carbon (coal) content make sturdier metals. Or that impurities can exist in ores, and cause the iron bar you are smelting to fail. Imagine my delight when I came across these details in AP chemistry.


If you played Runescape, you know a thing or two about ore mining, bar smelting, spear fishing, gem cutting, leather tanning, flour milling, dairy churning, and possibly to your expense, scamming (not a technology, but ya).

3) Just.. things

What does it mean to "blow a raspberry"? What is a kebab? What are runes anyway? And of course there is plenty of nonsense logic as well.


And the things I may have encountered too soon for my age..


And the music. Although the MIDI is awful, the composition is very something. The modality really brings out the European medieval setting. It is nice to hear something else for a change that is not Ionian or Aeolian. I recognize some Lydian, Dorian, and Phrygian..

Just things.

I had gleaned all I could from the game. There is nothing more for me in that bubble. Headed back to reality ever since and called it an experience. 10,051,749 XP to be precise.

Really feeling this way (in real life) throughout high school life and towards university:


Maybe that is the most important thing I learned from Runescape. Got to embrace every waking moment. That XP is going to make a difference. So get out of that virtual world and get some real life XP.. and become some real life skill master. Unless you want to stay a noob.

Saturday, 22 August 2015

G Flute

Recommended prerequisite: music theory, physics

Four months ago I made a G flute from a flagstick.
This calculator takes care of drilling details: http://11wall-west.com/~ph_kosel/flutomat.html. These are the measurements I used:


The holes I made are ugly.. punctured with a sewing needle then “dug” out with pencil and scissors. There is no mouthpiece. The end is just flat like a straw. It is almost the same way ancient people put six holes into a segment of reed from a riverbank.

The way woodwind works is the stream of air must split in half. The recorder is easiest to play since the design splits the air for you. The modern flute is a little harder since you must aim at the edge (or maybe not, I never played one). As for my straw-like flute, it is quite something else..





The sounding concept of my flat brim flute is pretty much like a ney, which I learned from here: http://www.neyzen.com/ney_metodu.html. The technique is veeeeery hard. You are somehow supposed to split your airstream on the flat brim. A subtle twitch in lip shape, ney angle, or tongue placement is enough to extinguish the sound. As you can see I only managed three notes (D, E, F#) after trying for three months:


By the way, there is another sounding technique which requires wedging the edge between your two front teeth and hissing like a viper.. This Persian method creates a unique tone, but no thanks. The Arabic/Turkish method I am using is difficult enough.


Really, during the first three months I only produced air and wispy harmonics. As you may or may not have known from A Cringeworthy Process, I a not one to give up so quickly. This is recently, my fourth month trying:


I achieved two extra notes by overblowing the D and E to get their perfect fifths A and B. The fingerings are the same, but the stronger breath makes the second harmonic (perfect fifth) ring. For some insight to how it works, refer to Harmonic Intervals and Resonance and Timbre and Overtones. I can manage overblown octaves as well, but my breath transition needs some attention first. It is generally not recommended that I learn so many notes before mastering the sound quality.. still working on it!

How was the first flute inspired? My guess is an observation of wind flowing through an empty log. But from this flutemaking experience I find that flat brimmed flutes are really hard to play. Even after making the flute, it takes three months' effort to produce a sound (perhaps even longer for the first flutist ever, since there are no preceding flutists to teach the first). Either ancient people had nothing better to do, or they were increeeeedibly smart. I think they actually were smart.

Five notes (D, E, F#, A, B) is enough to play a couple songs but let me work my intonation first. Then I might play you something decent..

Sunday, 16 August 2015

A Cringeworthy Process

Recommended prerequisite: art 1 (I never took it either, so no worries)

When I ask someone, "Why don't you try to draw something?", the replies are always something along the lines of "I am not good at it".

I guess it is nice for others to know about my successes, but perhaps it is more important for them to know about my failures. And I can assure you that failure happens more often than success.

If you ever hear three minutes of perfection at the piano, understand that it took three years of failure to get there. No exaggerating. Sometimes I had to run a measure fifty times over (not that I counted) in order to get it right. Sometimes I had to put a piece off for a couple months so that I might build the required skills before returning to it.

To prove my point here is a not-so-flattering watercolour from grade 8 (I am cringing so hard right now):


The background is supposed to be one smooth gradient. The object spacing is awful. Stark crooked linings, little hue diversity.. and for some reason I left a lot of white edges (still combating the habit now). If there is anything presentable about this, that is because the teacher fixed it for me. I am facepalming so hard right now. Hur hur.

You have no right to say that you are no good at something, until you have tried the following:

1) Give yourself a second chance. It surprises me how many people become dismayed at their first attempt. Really, if your first attempt at something is a masterpiece then you must be a genius. But you are not, and I am not, so we need second chances. Forgive yourself for not being born a genius. Let go of pride.

This was what I was trying to portray:


And here is my first attempt at the bottlemouth:


This is me in the summer of 2015, my first time glazing. Wow so lifelike *cough cough*. There is no hint of transparency or reflection whatsoever! Yuck.

I may have gained some art experience over the last three years, but none from a proper classroom setting, and none with a brush. This is my second watercolour since grade 8 (my first is just a few months before this) but that was not enough to make me "fluent". Of course my first glazing sucked. I would not be surprised to know that your first glazing sucked too.

2) Focus on one section at a time. How do you expect to do the whole thing if you cannot even do a half, a quarter, or one tiny portion? Do not let this process discourage you. If you need to minimize the portion, do what you need to do. Since I did not do the bottlemouth too well, I did repetitions. All ellipses are so off, and the fuzz is so grotesque I just want to crawl into a hole.




Note that you are not just doing blind repetitions, otherwise you will be "practicing your mistakes"! What you are doing is not exercising a procedural memory, as psychology suggests. You are trying to overcome a mental block. Practice is as much thinking as doing. You cannot practice without one or the other. I did one bottlemouth a day and took four hours with each (estimate), thinking a whole lot before my next layer of glaze (I could afford to spend so much time only because it was the summer holidays).

3) Listen to counsel. Experienced people know what you need. If you ever wondered how you can achieve something, they have the answers. To ditch their suggestions is to do exactly what keeps you from succeeding. If someone tells you that in 2x = 1, x = 1/2, and you insist that x is anything but 1/2.. good luck in finding a solution.

This bottlemouth is significantly less fuzzy than my previous ones but according to my mentor, this is not enough (if I had shown him the ones before this it would have made him foam at the mouth, or perhaps gave him cancer). There may have been more that he would like to point out but at least he was honest enough to catalyze the progress you see throughout this post. Otherwise I would be stuck at stage one.


Perhaps I still have issues with my lines, but I agree that fixing this problem will bring me to a whole new level. Maybe I should practice some lines, just lines, and try to overcome my mental block..

What I cannot show you is how I agonized to capture a decent-enough photo for this painting. The photos were long trashed but I can tell you that I submitted five or so photos to my mentor, and captured ten times more photos than I submitted (estimate). The process was a whole week to itself, just to get the one photo for this painting. If I had listened more closely it would not have taken so long.

But then again, if my first shot was perfect I must be a genius.

4) Do not worry about comparing yourself to others. "When I see how amazing they are, I just want to give up". This is one of the most common problems people face. Don't get me wrong, comparison is okay. Comparing the work is good for finding influence, but comparing the people does nothing to help you improve.

So what if someone is younger? Guess what, you will only get older, and today is as young as you will ever be. Get working today while you still have the strength in your limbs and the plasticity in your brain. Do you mean to stay idle for the rest of your life just because someone else is better? So what if someone is better? There will aaaaalways be someone who is better. I do not intend to live my next sixty years without trying anything new, well do you? Are you really going to give up now, and live without it for the rest of your life? So what if someone took up the skill later than you did but still does better than you? That person certainly did not waste time comparing!

(Sorry for the rant)

More importantly, reconsider why you are doing this. Am I painting because I want to earn other people's praises? If the only reward you seek is superficial, you will not get very far. Or am I painting because I like to paint? Sure the process is gruelling, but I do like to create all things pleasant! Then that is what matters. Do something for the sake of doing it, and not for other people's approval. Have some intrinsic motivation.

Rather than wasting time on how people perceive you, why not refine your work so that you do not even need to worry about their perception? Treat the disease, not the symptom.

I have never seen what an art 1 student's work is supposed to look like. Nor do I try to find out. All I relied on was my mentor's feedback, some exemplars, and an honest self-critique. This is a bottlecap on a jar lid.


There is not enough contrast for highlights to stand out. Lines are still fuzzy. The lid is not even properly elliptical. It looks like a dead oyster. I had no idea how an art 1 student should do, but I was determined to fix it.

5) Be patient. At this point in time I had already spent away one month of my summer holidays. And yet I had not started my official canvas. This trial took me a week or two.


The letters do not follow the curve. There are not enough reflections on the jar. The banana has a funny pallor. The marble is not splotchy enough. The wall is too yellow. I am glad to have spent the extra week.

The official took some three weeks. If I had only shown you this, you would be misled to think that this is what you should be able to do on your first attempt. But that is not the case. I had to endure a month of failure.


Of course this is by no means perfect. The table line does not seem to make sense. There is something eerie about those cinnamon sticks. There is something not so convincing about the thermos flasks. The blue bottle at the back is rather stripy. The puddles on the pink jar are awkward. The bottlecap does not look like it fits on the bottlemouth. The axes of the bottle do not match. The splotches on the marble are not quite the right shape..

And my damned lines. Always. Squiggly, fuzzy, drunk lines.
But I am not cringing. At least, not yet..

When I paint now I still cross my fingers and hope that my lines will turn out presentable. It should not feel this way. I know for a fact that I do not "hope" that the intonation of my violin will sound right. If I practice enough I will have more control and confidence. This is not the end of the climb. Actually, there is no end to the climb. So there is no reason to be disappointed that you have not reached the top. This is why you should enjoy the climb, and not feed on praises regarding your climb. Intrinsic motivation.

My goal for the next three years is to be able to look back at this painting, cringe really hard, and crawl into a hole. Truly, that would be a sign of progress.

I still laugh at this.
It is cringeful. It is worthy. It is cringeworthy.



 In summary:
1) Give yourself a second chance.
2) Focus on one section at a time.
3) Listen to counsel.
4) Do not worry about comparing yourself to others.
5) Be patient.

Unless you have done all of the above, I forbiiiiid you to say that you are "no good" at something!